Abstract:
The Zhina movement that erupted following the death of Mahsa Zhina Amini, under custody for allegedly wearing her headscarf incorrectly, is Iran’s most prolonged and pervasive movement since the 1979 revolution—repeatedly referred to as a revolution by the actors who participated in the movement as well as political analysts. This movement has had many cultural, social, and political influences. Music as a critical cultural manifestation, artistic self-expression, and an integral part of people’s daily life both affected the movement and was impacted by it. This article takes a closer look at the protest and revolutionary songs published since the beginning of the Zhina movement in September 2022. Using a qualitative content analysis approach, it explores the contents published during the movement concerning meaning-making, collective imagination, and representation of Iran’s social and political situation. Ten main themes were extracted, including oppression, resistance, the conflict between good and evil, the connection between previous social movements, representation of slogans, symbols, and victims, woman and embodiment, homeland, nations and ethnicities, religion, action request, and desired future vision
